29. november 2007

Harlan Ellison -- Pay the Writer

This also goes for photographers and others in a creative business: We don't work for free!

27. november 2007

Crime Club og Stinky Fingers på Skuret

23. november 2007

Differences between D3 and D300 for (my kind of) concert photography, the Thom Hogan way.

This is a little follow-up to Thom Hogans article about the differences between D3 and D300.

www.bythom.com/d3ord300.htm

1. High ISO. D3. It's all about high speed in low light conditions. Though, a good ISO 1600/3200 is more important than ISO 6400+
2. Wide Angle of View. D3. I use wide angel optics a lot, but more important, I want big apertures: 2.8 wide angle zooms, not 4.
3. DOF Isolation. D3. Even if you often have no choice but to use big apertures in low light, it is a very effective composition. A small DOF is important for me for all music photography that is not concerts, like promo/artist shots.
4. Flexibility in Size and Weight. D300. Small can be nice, but I prefer a vertical grip anyway.
5. Pixel Density. D300. With all the noise and dark conditions, this is not very important.
6. Focus without Reframing. D300. Not a big issue for me, the AF-system is the same. I allways have to meter/focus first, and then compose.
7. DOF Maximization. D300. Not an issue for concerts.

As Thom Hogan, I drop my #7, because it is irrelevant for concert photography. The D3 scores 1, 2, 3 (total 6, average 2). The D300 scores 4,5,6 (total 15, average 5). Not very difficult, since the D3 is placed at all the top 3 positions.

Well, I don't think there is very hard to believe that a full frame camera is better suited for concert photography than a cropped/DX camera. The only point where I can think a cropped sensor is better than a full frame sensor is at really big venues where you want to use the 70-200 2.8.

As a D200 owner, I'm not satisfied with the high ISO capabilities and the AF in low light situations. D300 should be better on both. But I have no problem to jump over the D300 and go for the D3, even if I won't change the D200 for a D3 before 2009.

Fanzine om fanzines

Eller egentlig ikke: Fanzinen "Hold kjæft?" av Barbro Abrahamsen handler om hvordan man lager en (fan)zine, snarere enn om andre fanzines som tittelen kanskje kunne innby til. Fanzinen kommer ut i kun 25 eksemplarer under Bodø hardcorefestival.

Via muzakk bøker & ziner.

22. november 2007

Sheffield Quigley: Professional Myspace Photographer

Via et tips fra John Harrington.

21. november 2007

Brutal mot dritt - Musikkvideo